How to Process Lead Vocals

How to process any lead vocal and go from a really bad sound to a really good sound. There are four key steps, and I walk you through every one.

In this tutorial

    My notes from this video

    01

    Fix the melody in Melodyne

    Watch 1:27

    The first step is the melody. You want the vocal exactly how you want it, so I use Melodyne. Load it in, Ctrl A, then pitch center. It moves every note exactly to the center of the pitch. Then I go over each and every note and see if the melody sounds right.

    If a part is a little bit too wobbly, I select the notes and change the pitch modulation or the pitch drift. You can separate notes, and Alt and left click moves a note up and down if you want to change the melody. Then I export it as a WAV file and put it into my project.

    02

    Gate the noise between the vocals

    Watch 2:45

    The second step is gating noise. Open up your sample, Ctrl A, normalize. Go in between the vocals, where you can see the noise. Select it, acquire noise threshold, then disable the selection so it selects the whole sample, and gate noise. That's it.

    Be careful you don't take too much. Then it leaves spaces and stutters in between, and when you boost it with a lot of distortion it comes up and sounds bad. So I go into the empty spaces and make sure every empty space is actually empty. Then I render it as a WAV file.

    03

    More Auto-Tune on top of Melodyne

    Watch 4:03

    The third step is processing. First I remove the bass. Then I add Auto-Tune. More Auto-Tune, yes, because it's better. Take the scale, usually minor, and go into the key. Free Fall is in E minor, so I put it at E minor.

    You don't want it to be really yodely. You want it to be clean, so I put Flex-Tune at like 60.

    Auto-Tune Pro on a hardstyle lead vocal in FL Studio with key E, scale Minor and Flex-Tune at 59
    Key E, scale Minor, Flex-Tune 59.
    04

    Compression, OTT and a de-esser

    Watch 4:37

    Then compression. Read the threshold, find out where it's hitting, put the threshold there and the ratio at 4. It pulls everything back to the threshold you set. Then OTT. It's free, get it, it's a dope multiband compressor. I set the depth and change the downwards compression. Those are the two knobs you really need to know.

    Then a limiter to remove the spikes, and a de-esser. Look for that range and remove it. If your plugin has a preset, put it on a dope one. Then I remove the bass again and pull down frequencies I don't like because they're too loud. Re-render, and that's the third step.

    Fruity Compressor on a hardstyle lead vocal with the threshold at -14.1 dB and the ratio at 3.9 to 1
    Threshold -14.1 dB, ratio 3.9:1.
    05

    Special effects on the dry render

    Watch 6:33

    On the dry render I remove the bass again, then add reverb. I use ValhallaRoom. Then delay with whatever plugin you like. Reverb and delay kind of mask the poor quality, so suddenly a bad vocal sounds really good. Distortion as an effect is really dope too. I add Blood Overdrive, then a compressor to get it back to normal volume, but only if it doesn't sound good without it.

    Then a widening effect in Patcher. The dry signal goes from FL Studio to FL Studio, nothing happening there. Then I add Stereo Enhancer and Fruity Chorus, because I want a chorus effect on the vocal. It's a little bit wider.

    Patcher with a dry path from FL Studio to FL Studio, plus Fruity Chorus into Stereo Enhancer to widen a hardstyle lead vocal
    The widening in Patcher.
    What I use in this video

    FL Studio·Melodyne·Edison·Fruity Parametric EQ 2·AutoTune Pro·Fruity Compressor·OTT·Fruity Limiter·FabFilter Pro-DS·ValhallaRoom·Fruity Delay 3·Fruity Blood Overdrive·Patcher·Fruity Chorus·Fruity Stereo Enhancer

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    Galactic Hardstyle Vocals Vol. 1 artwork

    Galactic Hardstyle Vocals Vol. 1

    The Free Fall vocal I process here is in this pack, dry version included. Template 2 shows it in action, with stems, presets and MIDI files.

    View the pack