How to Make Gated Kicks for Rawstyle

We already made a tutorial about gated kicks, but it was not perfect. So I'll make a better kick, 100% from scratch, with the ins and outs you need to know to make a dope kick.

In this tutorial
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    My notes from this video

    01

    Start with the punch and the punch reverb

    Watch 0:58

    When I make these kicks, the first thing I always start with is the punch. It's so important to make a nice punch and a nice punch reverb. That's the whole thing. The crunch doesn't really matter at first.

    I look for a dirty punch, something with a little bit of dirt in it. Route it to its own punch channel and distort it, with the EQ in front. Then another distortion and another EQ to distort it more. After that a limiter with the ceiling totally up, and I take the gain to make the punch stop at some point.

    02

    Gain automation on the punch reverb

    Watch 3:20

    The punch goes into a Punch Reverb 1 channel with the reverb 100% wet. I like to work with Valhalla Room, but as long as it's a nice clear reverb it's fine. Then add Fruity Limiter with the ceiling totally off. We don't want limiting, we want gain automation. During the punch you want a little bit of reverb, and afterwards you really open it up to 50. That's the standard gain of Fruity Limiter.

    Then I send that reverb into a second reverb channel, so it's a double reverb layer. In the second one I take Little AlterBoy. It's very controversial, but I just use it to take the formant down. Now we get a little bit of character.

    FL Studio playlist: punch, bass kick and gain clips Limiter PUNCH Gain and Limiter Punch Reverb 1 Gain, for a gated kick
    Gain automation on the punch and on Punch Reverb 1.
    03

    Distort the punch and the bass together

    Watch 8:55

    The thing people might do now is try to get the bass crunchy on its own. That's what I tried to do for a long time as well. But then you get this really dirty, messy sub. I don't want that.

    What you do is very simple. The punch and the punch reverb go into one channel, the bass goes in here, and both of these go into one channel. Just add distortion and open that hard clipper. Later we adjust every level to make it better.

    Misstortion 2 where the punch and the bass of a gated rawstyle kick come together, with Hard Clip at 19.8 dB
    Hard Clip at 19.8 dB.
    04

    A flanger in LFO Tool as a filter

    Watch 14:24

    Another trick. Take Serum FX or LFO Tool. I like LFO Tool, because I can see the filter I'm moving. In Serum FX you don't see that. Go into any flanger and make sure the LFO is doing nothing, so take down the volume.

    Then just play around and find a sweet spot. Different frequencies have different effects. You get so many variations from this filter alone. Phasers are nice as well, but I think flangers are goated.

    Xfer LFO Tool on the punch of a gated kick, set to the Flg + flanger filter with the LFO routing at zero
    LFO Tool on the Flg + filter.
    05

    One setup, many kicks

    Watch 13:41

    The cool thing is that the punch goes straight into the reverb channel and generates reverb in real time. We didn't use samples for the reverb. With samples, if you change the punch you actually need to change the reverb as well to make it match.

    So first make this whole setup, then go back and change the punch. When it's good, render it, trim it and normalize it. Then pitch the sample down, for example minus six, and put it through the same processing again. It's immediately a new kick.

    What I use in this video

    FL Studio·Misstortion 2·Fruity Parametric EQ 2·Fruity Limiter·ValhallaRoom·OTT·Little AlterBoy·iZotope Trash 2·Fruity WaveShaper·FabFilter Pro-Q 3·Fruity Soft Clipper·Sonnox Oxford Inflator·iZotope Ozone 8·LFO Tool

    Gated Kick Template artwork
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    Gated Kick Template

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