My notes from this Short
An LFO envelope on the global amplitude
I shape LFO 1 to cut the volume and put it on envelope. In the matrix I put LFO 1 on the global amplitude and open it up.
A clicky transient from a sine
LFO 2 goes on envelope and hertz mode, and I add it to the coarse pitch. Pitch up two octaves.
I pitch oscillator B up as well, take a sine wave and add LFO 2 to its coarse pitch on a very high amount. We're looking for the clicky transient here.
Drive, reverb and a comb filter
In the effects I add distortion on Zero Square and put LFO 1 on the drive. Then a compressor with the attack down, because we're looking for that transient. I take a reverb, make an LFO that stops at the end and add it to the mix from zero to 100%.
In the filter I add a flanger or comb filter, put A and B through it and add drive. Different keys give you different tonalities, and you can also change the LFOs.
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